Carl's death causes filming to halt, and the film is never released. To the rest of the cast and crew, this appears to be a tragic accident the truth is that The One intentionally killed The Other One. While filming a scene, Marissa shoots and kills Carl with a prop gun at point blank range. Marissa and John's relationship deteriorates, possibly because Carl also begins a romantic relationship with John. The Other One, taking the form of a man named Carl Goodman, also joins the cast as the film's other lead. He casts Marissa as a lead she also has significant creative input in the rest of the film. Two years later, John directs Minsky, a detective story set in New York City's avant-garde art world. The film's director, Arthur Fischer, steals the negatives, which prevents the film from ever being released. During filming she becomes romantically involved with director of photography John Durick. In 1968 she auditions and is awarded a role in Ambrosio, a film based on the gothic novel The Monk by Matthew Lewis. The One becomes Marissa Marcel, a French girl who is implied to have been killed by German soldiers in World War II. However, he indulges The One in their exploration of humanity. The Other One is ambivalent toward Humanity, seeing them as inferior copies of the immortal beings, and believes that the immortals and humans should exist separate from each other. The One is fascinated with humanity, particularly their proclivities for sex, violence, and art. The One and The Other One seem to be a pair, though their relationship is never explicitly defined. Burning them seems to be the most permanent death. Their kind's numbers have dwindled since human civilization began, and while they are difficult to kill permanently, they can die and stop existing for periods of time. This ostensibly ends the human's life, though elements of their personalities and memories mingle with the beings' own personalities and memories. Two immortal beings, credited as "The One" and "The Other One," predate humanity and are able to live indefinitely by taking on the forms of humans and living their lives. This synopsis follows chronological order. because of this, the plot progresses in a non-chronological, broken narrative format. Much of the plot is shown through secret footage the player reveals by manipulating the footage from the films, TV interviews, etc. The game will then show all other clips from the three films, as well as behind-the-scenes production footage and television and interview clips, which the player can review and seek out further persons or items. The player begins with one clip from one of the three films, and the player can pause and click on a person or item of interest. In the same manner as Barlow's prior works Her Story and Telling Lies, Immortality incorporates the use of full-motion video for the player to piece together Marcel's fate. Marcel has since gone missing, creating a mystery for the player to solve. The game is based on the fictional model turned actress Marissa Marcel ( Manon Gage) who had starred in three movies from 1968, 1970, and 1999 but which were never released.
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